If I were to just drop a couple other clips on here and I save it, you should just be able to right click in the bin itself and go to refresh bins that'll refresh the timeline and then that should ripple through to your timeline.

So while the timeline is locked out, I can work on the color page in parallel.

Yes, absolutely.

And I actually got this yellow refresh button on the top right of my screen.

It also shows me which clips he worked on.

So if I click the refresh icon, I can now see that that clip has been colored in real time.

Nice.

Thanks, Matt.

Now, Hawaii looks like Hawaii.

Thanks to you.

Yeah, it's great.

It opens up some interesting opportunities we've had like the director and run one room working with the editor and the DP in the next room, working with the colorist to dial in a grade for a preview screening and then director could kind of be in two places at once because he just hit refresh when he wants to see how they're progressing.

So that was pretty cool.

Use case editing and coloring at the same time.

I mean, that's just some really, really interesting.

I've never seen anything like that personally.

If someone is editing with the latest version of DaVinci and somebody else is working on a different version of the software, maybe hasn't the latest with that created any issue with sinking communication, you know, screens, you know, sending, you know, anything like that that would be a problem or not.

I might have a better understanding of this, but I saw a dialog prompt today that said everybody that uses this has to be on 18.1 or above to be working out of the same server.

I think 18 and lower.

You wouldn't be able to use the same server, if I'm not mistaken.

I think I saw something about that today somewhere.

Yeah.

In general too, you do want to actually be on the same version.

So like, well, I think we're probably all in H.264, I would guess.

Yeah.

Yeah.

So yeah, that's the recommendation to make sure everybody's on the same version of the software.